About 3,100 shots (78% of the Super 35 film) were color graded at Colorfront in Wellington, New Zealand, using 5D Colossus software, after being scanned by an Imagica XE scanner full 2K resolution (2048*1536). The color-graded shots were then recorded on Kodak 5242 intermediate film by two Arri Laser film recorders at ten bits per channel. Because only 78% of the film was digital, a digitally-squeezed anamorphic print could not be made for the whole movie. Instead, the digital shots were recorded on an inter-negative hardmatted at 1.77:1, intercut with the non-digital original negative (which had been color timed by The Film Unit, New Zealand), and printed to 2.39:1 anamorphic Kodak film, using an optical printer at Deluxe, Los Angeles, California. Fuji 3519-D was used for release prints.